A performer in silhouette before an orange solar projection and a ceramic sculpture.

Music theatre / 2026

Xochiyaoyotl

Music theatre for bodies, sound and ceramic artifacts

Watch trailer

World premiere, Munich. Photo © Frol Podlesnyi

A child is trained for ritual war and destined to give their life so that the sun may continue.

Xochiyaoyotl, translated as Flower Wars, follows fragmented Aztec memory through sonic images, movement and dreamscapes. Human bodies awaken ceramic artifacts as instruments, presences and vessels of memory.

Trailer

2 min 37 sec

The work

A performer seen through a field of suspended ceramic forms during the Munich world premiere.
Ceramic artifacts become instruments, presences and vessels of memory. World premiere, Munich. Photo © Frol Podlesnyi

“Xochiyaoyotl” refers to the ritual combat practices of the Aztecs, extinguished by the Spanish conquest and surviving only in fragmented memory.

In a world where the gods were sustained by human devotion and sacrifice, a child is trained for war, destined to give their life to preserve the sun god. The story unfolds outside linear time as a sequence of sonic images, memories and dreamscapes.

Maximiliano Soto Mayorga, Amauta García and David Camargo create a music theatre in which sound, space and movement emerge from ceramic artifacts. Through breath, touch, impact and movement, performers bring these objects into a new existence. The sculptures become sound objects, instruments and physical counterparts to the human body.

Artistic team

Maximiliano Soto Mayorga, David Camargo and Amauta García speaking together at Styriarte in Graz.
Maximiliano Soto Mayorga, David Camargo and Amauta García at Styriarte, Graz. Photo © Nikola Milatovic

Composition and conceptMaximiliano Soto Mayorga

Libretto, video and dramaturgyAmauta García

Set, costume and instrument designDavid Camargo

Creative development

Dramaturgy
Julian Kämper
Movement coach
Franzy Deutscher
Musical rehearsal assistance
Ina Stoertzenbach

Voices

Soprano
Laure-Catherine Beyers
Countertenor
Johannes Wieners

Instrumentalists

Contrabass clarinet
Paula Haeni
Electric guitar
Johannes Öllinger
Cello
Myriam García Fidalgo
Percussion
Mathias Lachenmayr, Daan Wilms

Presentation history

The work premiered in Munich and was subsequently presented in Graz. The photographic records are presented separately and can be opened full screen.

Munich

13 May 2026

World premiere at schwere reiter during the Münchener Biennale.

Winner of the 2026 Open Call on the theme “Martial Arts”, selected from 85 submissions by an international jury.

M26, Münchener Biennale 2026

Graz

2 and 3 July 2026

Austrian premiere at Helmut List Halle, presented by Styriarte.

“Eine wilde Blume im Styriarte-Kranz.”

Kleine Zeitung, 4 July 2026
Styriarte

Production snapshot

A first view for programmers and producing partners. Detailed technical documentation is available on request.

Format

Playing forces2 voices, 1 performer, contrabass clarinet, cello, electric guitar and percussion

Running timeApproximately 50-55 minutes

Touring

Existing materialCeramic sculptures, costumes and essential production materials are in storage and available for remounting

RemountWith the premiere cast, technical setup and rehearsals can be completed within 2 days

Stage systems

PerformanceCeramic sound objects, live electronics, lighting and video mapping

Access and noticeGerman and English surtitles are available. Strobe lighting effects are used

Request a private viewing link or discuss a future presentation.

Full documentation, technical materials and a complete recording can be shared with interested festivals, venues and cultural organisations.

Presentation enquiries [email protected]

Production partners

Co-production by Münchener Biennale and Styriarte Graz, in cooperation with schwere reiter/scope München. Production commissioned by the City of Munich for the Münchener Biennale.